KATI: A few weeks ago,
I was enthralled by a 2009 release,
Liberating Lacey by Anne Calhoun. I found the story to be completely captivating and it ended up being one of my favorite books I read last year (I've re-read it twice already). Because I'm a gusher, I ended up emailing Anne Calhoun to tell her how much I enjoyed the book, and the end result was her agreeing to allow me to interview her about her work, the book
Liberating Lacey, her upcoming release,
Under His Hand, and all kinds of other stuff. Please help me welcome Anne Calhoun!
- Tell us a little bit about Anne Calhoun. Where are you from? Are you a full time author? How long have you been writing?
I’m originally from the East Coast, but aside from a few years in Boston, San Francisco, and Manhattan, I’ve lived the bulk of my life in the Midwest. My longest stints are in Manhattan and the Midwest, so those are the places I mine most deeply for my stories. I am a fulltime author, and I’ve been writing since 2007. Liberating Lacey was my first sale, in 2008.
- As you know, I loved Liberating Lacey. The characters were so fully realized. Did Hunter and Lacey spring fully formed off the page? Or did they develop as you wrote?
Ah, Hunter and Lacey. They were pretty typical of my characters…I had an idea of who they were, but they became themselves as I wrote. I knew when I started the book that Hunter would be a cop, and younger than Lacey, and Lacey would be well-off, older, and divorced. Other than that, the shadings of their characters – Hunter’s work with his father, his workaholic nature, Lacey’s family and friends, and especially the way their romance changed them – all came as I wrote.
- Hunter and Lacey have a May/December romance, but that’s not the focus of the book, which I loved. What made you make that decision?
The book was written for an Older Woman/Younger Man series at Ellora’s Cave, so it was originally 30,000 words and focused more tightly on the age difference. When the book was accepted it was too late for the themed series, so the word count restriction no longer applied. The editor suggested I add about 15K words to flesh out the romance.
I added 50K.
All the scenes with Claire and Hunter’s dad, the “what’s on your belt?” scene, the party where Hunter runs into someone he arrested, the hospital scene, the scene in Manhattan, the hangover scene are new. In fact, the only scenes that retain much resemblance to the original story are the first two chapters, and those were extensively revised to include more dialogue (I love dialogue) and character development.
In that revision process what became clear to me was that age didn’t matter, but class definitely did. In my opinion, age is surmountable but people who are from different socioeconomic classes definitely have edges that rub for a long time. Also, I specifically avoided the stalker storyline. It’s a natural fit for the story and genre, given Hunter’s profession, but that wasn’t the story I wanted to tell. Giving a pretty traditional man a woman who doesn’t need him as a protector or a provider creates great fodder for conflict, because what does she need him for? A great fuck? Several great fucks? Or something deeper?
- Your new release, Under His Hand, features a Navy SEAL. Did you have to do any research about SEALs? What appeals to you about them?
I did almost no research, because for that particular story, I didn’t need much research. I set the story in San Diego, figured out the name of the base, and went from there. I think I was in a Suzanne Brockmann phase when I started writing that story, but for me, that book is about the trust it takes to let someone go off and do their deadly job with little to no warning, no idea when they’re coming back, or who they’ll be when they do come back (because it’s not like they’re taking to the road to sell brooms door to door, right?). That’s so different from the typical relationship. If Tess lives in a neat, tidy suburb with a great, dependable job and income, and her family and friends around her, then her reluctance to let Drew in makes no sense at all. She’s got the framework she needs to cope with life as a military spouse/girlfriend. But if abandonment is the main feature in her previous life, if she’s prickly about who she is and what she has to offer, if she’s dirt poor and proud, then you get a nice little conflict he might set his hand to resolving.
I think service in military and paramilitary organizations (the police, etc) changes an individual in a really fundamental manner. Exploring how they and the people they love and who love them cope with those changes really intrigues me. I don’t know if I’ll write any more Navy SEAL stories, but I will definitely write more books about coping with the pressures and aftermath of that kind of service.
- What’s harder to write, a novella or Brief? Or a single title novel?
It depends on the story. Novels are, by definition, harder because I have to sustain character growth and a plot for 100K words, but novellas/Briefs have their own challenges. I just wrote two linked stories for Berkley’s upcoming anthology called Agony/Ecstasy, and one of those stories came out almost completely whole. The other took me three weeks of intense effort to get right, for 5K words. When you write short, every word counts. Every thought, every look, every movement, every piece of dialogue, every action counts. You have to create compelling, intriguing characters in the space of a chapter or two (the Briefs are around 12K words), and give them some form of emotional arc – conflict and resolution – in that space.
- I know some authors don’t read other romances in their same genre. Are you one of those? Specifically, do you read contemporary romance? And if so, who are your favorite authors?
I admit to reading selectively, and less than I should (I’m a nonfiction junkie). Contemporary authors I love and admire include Megan Hart, who, IMHO, is the best erotic romance writer in the genre. Her books Dirty and Broken fundamentally changed the way I write. As I was revising Lacey I would think, “How would Megan Hart handle this?” The answer was always a lighter touch than I’d thought up, and better. I also love Jill Shalvis’s work – Blazes and single titles. Kathleen O’Reilly writes these fantastic Blazes, with smart characters, smarter dialogue, and a great sense of place. Julie Miller writes wonderful tight suspense stories for Intrigue. Non-contemporary faves include Joanna Bourne (she has one of the most unique, strongest voices I’ve ever read), Laura Kinsale, and Loretta Chase. If you haven’t read Meljean Brook’s The Iron Duke, do so immediately. The book works on so many levels, but the emotion and world-building are really fantastic.
- As a newer romance author, how do you get the word out about your work? Did it help you to have some of the major romance bloggers promoting Liberating Lacey?
Promo’s such a difficult subject to tackle, because you really have no idea what works, or why it works, or why one book catches on when another languishes. Authors sometimes invest big bucks and time for a book that goes nowhere, then do nothing at all and the Twitterverse just lights up over a release. Great reviews from Smart Bitch Sarah and Dear Author’s Jane most definitely helped, but I’m especially delighted with the recent buzz for Lacey in December of 2010 because the book released in May of 2009. Nineteen months later, it’s finding new readers (and bloggers, and Tweeters – is that a word, LOL?). I find that delightful, and interesting, because you just never know when a previous release will catch readers’ eyes. This is a long-haul business, so the best promo a writer can do is to write the best book she can, and then do it again.
- What’s next for Anne Calhoun in 2011? Do you have any other books being released?
2011 brings (so far) two Spice Briefs (January 2011 and summer 2011 – check annecalhoun.com for specific release dates, blurbs, and other miscellany) and two stories in Berkley’s Agony/Ecstasy anthology, releasing in late fall. Watch dearauthor.com for more information on all the stories included in that anthology. I’m finishing up a single title contemporary with suspense elements. Information about when and where that will release will be on my website, Facebook page, and in the tweetstream as soon as I have it, probably months and months from now. I’m always writing, so stay tuned for information about releases, and thanks for inviting me to blog with you!
Buy Liberating Lacey
HERE (Jasmine Jade) or
HERE (Amazon).
*GIVE AWAY ALERT*GIVE AWAY ALERT*GIVE AWAY ALERT*
Anne has generously offered a paper copy of Liberating Lacey to one lucky commenter.
(open to US readers only, sorry)
Comments must be made by midnight (EST) on January 9, 2011.